Robert Burns

Robert Burns as a Freemason


           The Inauguration of Brother Robert Burns as Poet Laureate in the Canongate                                                              Kilwinning Lodge No. 2 Edinburgh in 1787
Has Been on view for nearly a century in the Lodge room, St. John's Chapel, St. John St., Edinburgh

           Date Created -1846 Artist: William Stewart WatsonScottish (1800 -1870)
                       The Organ in the background is still played at Lodge meetings

                                                         BROTHER ROBERT BURNS' MASONIC APRON

                                                      Robert Burns as a Freemason

                                                         "Gie Me the Master's Apron"
                                                                 
                                                                BURNS' APRON

 The Apron worn by Robert Burns is proudly framed and hung on the North wall of the 'Mother' Lodge of Brother Robert Burns -Tarbolton (Kilwinning) St. James No.135 and is visible to all on entering via the South doorway.

                                                              
                                               
                                                                          THE MASTER'S CHAIR & FOOTSTOOL

                                                           
  
Ever since Depute Master Robert Burns sat in this chair, it has been used by all subsequent Brethren                                                               who have presided over the Lodge.
        Still situated in the East, the RWM of today's Lodge presides over the Lodge as did Burns.

                                                              Robert Burns and Freemasonry

                                                                by World Burns Club MemberTodd J. Wilkinson


The very mention of the name "Robert Burns" brings to mind images of red roses, starry-eyed lovers, Tam-O’-Shanter, and the Cutty Sark, and the glens of bonnie Scotland.  And while these images describe Scotland's "ploughman poet" to some extent, there is another side of Burns that is not as well known: Burns the radical - Burns, the supporter of the French Revolution - Burns, the critic of Religious hypocrisy and Puritanism - Burns, the Freemason.

While this image may not be as comfortable with many as the love-struck yeoman bard is, Burns echoed the sentiments of many of his day, calling for "liberty, fraternity and equality,” and speaking out against the excesses of the secular, as well as religious establishment.

Most certainly, Burns’ commitment to the ideals of the Enlightenment came from his membership in the Masonic Lodge, much praised and damned for its equality, both in political and religious matters, among its members.  But besides these lofty ideals, the lodge also appealed to Burns for other reasons; the 'camaraderie 'and 'spirit of brotherhood' that prevailed in the lodge room and the charity towards the widow and orphan.  According to William L. Fox in "The Near Miss of Robert Burns,” "He found in the experience [of being a Freemason] something unlike the political and religious institutions that had kept his father in a state of perpetual frustration"(p.7).  For Burns, Freemasonry was one of the cures for his society's numerous social ills.

But before examining Burns’ Masonic career, let me first present a very short general history of his life.  Born on 25th January 1759, in the parish of Alloway, Ayrshire, Burns was the eldest of seven children to William Burness and Agnes Brown (or Broun).  Well educated in a variety of subjects, from Scottish history and folklore to literature, Burns was forced to assist his father in working on the family farm, and took over at 25 when his father died in 1784 (McLeod, p. 162; Boot).

By 28, Burns was beginning to be well known in his literary career; in 1786 he published "Poems: Chiefly in Scottish Dialect," which was expanded in 1787 and again in 1793 (Ibid.).  Beginning in 1786, Burns would spend much of his time in Edinburgh among the elite and intellectuals of Scottish society, although, Burns felt that they were only patronizing him because his soul of literary genius lay within the body of a country bumpkin.  He returned to Ayrshire and unsuccessfully tried farming; in 1791 he became an exciseman, or customs agent, and joined the local yeomanry unit, the Dumfriesshire Volunteers.  However, the physical and mental toll of his hard life, plus growing financial burdens, weakened him, and in 1796, Burns died of rheumatic heart disease, caused by his lack of a healthy diet in his younger years (Fox, p.7, McLeod, p.171).

However, physical and financial matters were not the only things that troubled Robert; The Kirk of Scotland (The Presbyterian Church) and its opposition to his lifestyle was another.  In particular, Burns’ sexual escapades caused much hostility between him and the church.  Burns fathered a number of illegitimate children, including one by his future wife, Jean Armour, the daughter of a Master Mason.  Burns wanted to marry Jean; her father refused and Burns and Jean appeared for penance in church to "receive public reproof for the sin of fornication" (Dachies, p.36; Boot; McLeod, p.165).  Burns would continue his rampant sexual activities right up until several years before his death.  He never stopped his literary war against Scottish Calvinism, and lampooned it in a number of poems, including "Holy Willie's Prayer,” "The Holy Fair,” and others.

Besides his rather libertine actions with women, Burns was also a political radical, and a rather strange mix at that.  From reading Scottish history, Burns became an ardent nationalist, writing many romantic ballads about Scottish attempts to secure their independence from the English, from Robert the Bruce to Bonnie Prince Charlie.  This can be seen in poems like "Scots wha Hae,” "Charlie is My Darling," "The White Cockade,” and many others.

Burns combined his Jacobite sympathies of the past with Jacobin politics of the present.  He vocally supported the French and American Revolutions, which aroused suspicion of his loyalties, especially when in the service of His Majesty's government as an exciseman, although, Burns did recant his French tendencies when Britain and France went to war in 1792 (Dachies, p.99).  While Burns may have been inspired by the French Revolution, his involvement in Freemasonry certainly played a large part in his opinions in favour of both secular and religious equity. 

Freemasonry was very popular in Protestant Europe during Burns’ time, especially in the British Isles, where the first Grand Lodge was formed in London on 24th June, 1717.  Scotland's connections with Freemasonry go even farther back, but to use an old cliché, "that's another story.”  Freemasonry inspired the revolutionary efforts of George Washington, Benjamin Franklin, Paul Revere, Joseph Warren, and the Marquis de Lafayette, who would fight not only in the American Revolution, but in the French Revolution as well.  In England, while Freemasonry tended to be part of the status quo of the gentry, it still tolerated different religious beliefs, even though the government and the state church did not.  Jews, Roman Catholics and Dissenter Protestants were all admitted, even though members of these same religious groups could not hold political office under the Test Act, which required all office holders to be members of the Anglican Church (McLeod, p. 150).

The Reverend James Anderson, a Presbyterian Minister, wrote a new Book of Constitutions for the United Grand Lodge of England (UGLE) in 1721, while he was living in London, and would be excluded from all other aspects of English political and religious life due to his church membership.  Yet Anderson's Constitutions are the cornerstone for Masonic bodies the world over (McLeod, 150-51).  In 1729, the UGLE elected the Duke of Norfolk, a Roman Catholic as the Grand Master-Two clear examples of Freemasonry's ecumenicalism in an age that still knew the bitter sting of religious intolerance and bigotry.

                                                   ROBERT BURNS' MASONIC HISTORY
                                                                                             

                                        THE BIBLE PURCHASED BY ROBERT BURNS
                           
This is the first page of the Bible purchased for the Lodge by Robert Burns


                                                                                
                                                                 
Robert Burns was initiated an Entered Apprentice in Lodge St. David, Tarbolton St. James on 4 July (ironic date) 1781, at the age of 23.  His initiation fee was 12s 6d, and paid on the same date.  Like many other times in his life, Burns came into the lodge amidst a controversy.  Originally, there had been only one lodge in Tarbolton, chartered in 1771 from the Kilwinning Lodge, which is said to be the oldest lodges in the world (again, another story worth telling, yet for another time).

In 1773, a group broke away from the lodge, forming Lodge St. David No. 174, and the original lodge became St. James Tarbolton (Kilwinning) No. 178, only to be reunited in 1781, nine days before Burns’ first degree.  However, while St. James was clearly the older of the two lodges, St. David's name was used, and the seeds were sown for further dissension.  Burns, in the meantime was passed to the degree of a Fellowcraft, and raised to the degree of Master Mason on October 1, 1781.  The Lodge record book, according to James Mackay's "Burns" reads as follows:

Robert Burns in Lochly was passed and raised, Henry Cowan (ironic name!) being Master, James Humphrey Senior Warden, Alexander Smith Junior Warden, Do., Robert Woodrow, Secy., James Manson, Treasurer, and John Tannock Taylor and others of the brethren being present"(119).

Manson and Woodrow would later take the regalia of St. James's lodge from the charter chest (containing the minute-books, archives and other belongings) stored at John Richard's Inn (Richard was a Steward of Lodge St. David) after tricking Richard into a false errand with a couple of "gills" of punch.  While originally ordered to return the regalia and other items by the Grand Lodge, it was eventually ruled that since the union of the 2 lodges were voluntary, then the separation was as well.  The St. James lodge met again as a separate body on 17 June 1782.  (Mackay, 119-120).

Burns went with Lodge St. James, and on 27 July 1784, he was elected "Depute Master" of the lodge at the ripe young age of 25.  Sir John Witefoord was the Worshipful Master of the lodge, but it was somewhat of an honorary position, and the Depute Master in reality was in charge.  Burns was faithful to the lodge, attending regularly and three minutes were in his handwriting; twenty-nine minutes were signed by him and also show when he changed his name; originally, his father spelled the last name "Burness:" before 1786, Robert spelled it the same way.  On 1 March 1786, Robert's brother Gilbert received his 2nd and 3rd degrees; both Gilbert and Robert signed their last names as "Burns" (Mackay, p.121).

1786 was not a happy year for Robert financially or emotionally; Denied his love Jean, Burns had sought comfort with Mary Campbell (the famous "Highland Mary"), who reportedly bore Burns a child and died later that year from Typhus.  Burns, in grief over the loss of two women, as well as facing child support payments for Jean's unborn child, decided to flee to Jamaica to avoid grief and an angry father (and brother!).  Tradition says that Burns recited his “Farewell” to the Brethren of St. James Lodge, Tarbolton" on the night of 23rd June, at the stated meeting of the lodge, in anticipation of his voyage to the West Indies.

However, Burns decided to stay in Scotland when in July 1786, his Kilmarnock edition of poems was published, by a brother Freemason, and 350 brethren of St.John's Lodge, Kilmarnock, subscribed to a copy.  In October, he was made an honorary member of Lodge Kilmarnock Kilwinning St. John, and wrote "Masonic Song" in honour of the lodge and its Worshipful Master, Major William Parker (McLeod, p.169).

Burns’ rise in popularity for his poems also contributed to his rise in Freemasonry.  At a meeting of Lodge St. Andrew in Edinburgh in 1787, at which the Grand Master and Grand Lodge of Scotland was present, Burns was toasted by the Worshipful Grand Master, Most Worshipful Brother Francis Chateris, with the words "Caledonia and Caledonia's bard, Brother Robert Burns," which was met with a terrific response from the Brethren.  Burns was completely taken aback, and though trembling, returned the toast of the Grand Master, to response of 'Very Well Indeed' from some of the officers of the Grand Line (McLeod, p. 169).  In February 1787, Burns was made the Poet Laureate of Lodge Canongate Kilwinning No. 2, Edinburgh.  Wallace McLeod, in his essay, "Robert Burns,” quotes the minute book, which states:

The Right Worshipful Master, having observed that Brother Burns was present in the lodge, who is well known as a great poetic writer, and for a late publication of his works, which have been universally commended, submitted that he should be assumed a [honorary] member of this lodge, which was unanimously agreed to, and he was assumed accordingly (McLeod, pp.169-171, Mackay, pp. 273-274).      
                     

Tradition has it that Burns was installed as Poet Laureate at the March meeting of the lodge (as many paintings show), but lodge records disprove this, although some maintain that faulty records and Robert's modesty are responsible for it being left out of the lodge minutes and Robert's letters; Mackay doubts that Burns would have purposely left out such a high accolade to his work as a poet (McLeod, p.170, Mackay, p.274).  When the first Edinburgh Edition of his poems was released in April 1787, and again, many subscribers were members of Canongate, including the publisher, printer and artist who supplied the fronts piece for the edition.  Like his Kilmarnock edition, Freemasons assisted their brother and ultimately gave the world the gift of Burns’ poetry.

Burns was exalted a Companion in the Holy Royal Arch Degree on 19th May, 1787 at 'Land of Cakes' Royal Arch Chapter No 15 at St. Ebbe's Lodge, No.70, Eyemouth.  The companions unanimously agreed to admit Burns without paying the necessary fees, as they were greatly honoured to have such a great poet and a man like Burns as part of their Chapter (Mackay, p.311). 

The St. Ebbes Lodge considered Brother Burns a very distinguished visitor indeed.  They did not even charge him the usual fee and the cutlery and the utensils he used at the ‘repast’ have been kept to his day.  The minutes for May 19, 1787 read:
 
At a general Encampment held this day, the following Brethren were made Royal Arch Masons, viz: Robert Burns the Lodge of Tarbolton St James Ayrshire and Robert Ainslie from the Lodge of St. Luke’s Edinburgh … Robert Ainslie paid one guinea admission dues … Robert Burns admit.  gratis

When Burns moved to Dumfries, he joined Lodge St. Andrew No.140 on St. John's Day, 1788, and once again, showed a great enthusiasm for his lodge.  In 1792, he was elected Senior Warden and served a one-year term.  This was the last Masonic office he held before his death in 1796.  He was '37' years old.

                                                                                                 'Farewell'
                                    Within your dear Mansion may wayward contention
                                                          Or withered Envy ne'er enter
                                               May Secrecy round be the mystical bound
                                                        And brotherly love be the center.

                                                                           Robt Burns

                                                 ROBERT BURNS' MASONIC INFLUENCES

Freemasonry's influence on Burns’ poetry is quite visible.  Besides the aforementioned works which specifically deal with the craft, a number of poems have a strong dose of Masonic philosophy and ideals in them.  Fox mentions the poem "Libel Summons,” which finds two brothers in a court docket, one for hypocrisy and lying, and the other for the neglect of his duties.  With these two brothers for examples, Burns reminds any brother reading the work that the Masonic ideals of brotherly love, relief, and truth do not stop at the lodge-hall door, but should be shown to any person, regardless of Masonic affiliation (Fox, P.10). 

Masonic ideals can also be seen in "A Man's a Man for a' that," in which Burns speaks of a day when "man to man the warld o'er, shall brothers be for a' that!”  Certainly the lodge inspired Burns in his call for the rights of man; Marie Roberts, in "Burns and the Masonic Enlightenment" states that Freemasonry not only spoke out for the ideals of "liberty, fraternity, equality," but also was responsible for the creation of nationalistic feelings and fervour, as a number of Freemasons played prominent roles in the American and French Revolutions.  While Freemasonry did not produce the same feelings per se in Scotland, "it did help mobilise cultural nationalism in generating a since of national identity by supporting literary figures such as Burns" (p. 332).  By supporting his works, Freemasons encouraged Burns in writing poetry in the Scottish vernacular, and kept him in constant contact with his cultural roots (Roberts, p. 337).

And yet a third influence might be seen with Burns’ works dealing with Calvinism and the Kirk of Scotland.  Burns had always been on the side of liberal thinking within the Kirk, and detested the "Auld Lichts" or "Old Light" Presbyterianism with its conservative and puritanical outlook on life.  While English and Scottish Freemasonry has always denied the Freemasonry is not a religion, and that good Masons should also be good church-goers, certainly, many conservatives in the Kirk viewed the lodge, with its ideas of a non-denominational deity and respecting the rights of all humans to worship their God as they saw fit as a danger to their established religion (Roberts, p. 333).  For Burns, Masonry was everything that the Kirk was not.

His Masonic poems show his great love and admiration for the craft and its ideals; although he did hold his brothers to a high standard that some might argue that he did not keep himself.  But whatever your opinions of Burns’ passions, one must argue that Burns had the good of the fraternity in his heart.  One matter that deeply troubled him was the use of the Lodge treasury for personal loans by the members.  Burns viewed the monies not for the members personal use, but for times of "distress" or "old age,” coming to the relief of a brother was far more important than personal whims, which is no surprise, given Burns’ childhood and ever-changing financial situation (Fox, p.9).

From what we have heard, there is no doubt that Burns had a very rough life.  Burns found no comfort for his woes in the church or his society, but Freemasonry remained one of the most important aspects of his life.  Even during the time when all others had abandoned and condemned him, the lodge still welcomed him as a brother, and he never forgot it.  The "Farewell" to his brothers as St. James Lodge expresses a very sincere sadness in leaving Scotland and his brothers for Jamaica, and many have speculated that the support of his lodge brothers encouraged him to stay and produce some of his greatest works.  Freemasonry provided Burns with an "alternative" form of patronage for his works free from aristocratic influence and restrictions imposed by the patron on the artist (Roberts, p. 333).

Above all else, Freemasonry's spirit of Brotherhood had a special place in Burns’ heart.  Roberts states that "For Burns, Freemasonry was a compound of mysticism and conviviality" (p. 335).  This attitude is found in one of his most famous works, "Auld Lang Syne,” a song that millions of people around the world know and love.  We hear it at New Years and are moved by its message of old friends reminiscing about days past.  T.G. Paterson, in "Auld Lang Syne and Brother Robert Burns" says: For [Burns], "Auld Lang Syne" is a concrete expression of his love of mankind and his ideal of international brotherhood.

What a fitting tribute that Burns’ song of International Brotherhood is sung the world over in the spirit that he wrote it.  Also fitting, is the fact that it is the last song in the movie "It's a Wonderful Life," the story of a man who gave up his personal dreams for others, and sees all of his friends come to his aid when he is in trouble.  Burns and the character George Bailey share one thing in common, in that, when all seemed lost, friends rallied and aided in his relief.  George Bailey's guardian angel Clarence states "No man is a failure when he has friends (which I might paraphrase 'Brothers'); a sentiment that would be heartily agreed with by Brother Robert Burns.
                                                   
                                             Article contributed by Todd Wilkinson


Mr. Wilkinson is a librarian and adjunct history instructor at Ozarks Technical Community College in Springfield, Missouri.  He is a member of the Scottish St. Andrew's Society of Springfield and Vice-President of the Clan Cumming Society USA.
                                                                 WORKS CITED

Boot, Jeremy.  Robert Burns, Poet A Celebration. 
http://www.innotts.co.uk/~asperges/mainburns.html
Daiches, David.  Robert Burns and his world.  New York: Viking Press, 1971.
Fox, William L. "The Near Miss of Robert Burns: Why the Caledonian Poet was
not a Calypso Balladeer" in The Scottish Rite Journal, January 1998
Grand Lodge of Scotland.  "Famous Scottish Freemasons".
http://www.grandlodgescotland.com/website/famous.html
Mackay, James.  Burns: A Biography of Robert Burns.  Edinburgh: Mainstream Publishing, 1992.
McLeod, Wallace.  "Robert Burns" in The Quest For Light.
Melbourne: Australia and New Zealand Masonic Research Council, 1997.
Tony Pope, ed. - “The Universality of Freemasonry" in The Quest For Light.
Melbourne: Australia and New Zealand Masonic Research Council, 1997. 
Tony Pope, ed.
Paterson, T.G. "Auld Lang Syne and Brother Robert Burns" in The Scottish Rite Journal January 1997. 
(http://www.srmason-sj.org/council/journal/1-jan/paterson.htm)
Roberts, Marie.  "Burns and the Masonic Enlightenment" in Aberdeen and the Enlightenment.  Aberdeen: Aberdeen University Press, 1987.

                                                                                       Burns Masonic Portrait

                                           For a’ that an a’ that, it’s coming yet for a’ that.
                                That Man to Man, the world oe’r, Shall Brothers be for a’ that.


                                MINUTE BOOK - THE ENTRY WHERE BURNS IS MADE A FREEMASON
                                       This famous entry in the minute book of July 4th 1781 reads as follows:
                            Sederunt for July 4th Robt Burns in Lochly was entered an apprentice.

                                                          
                                                                              Burns is entered into the Lodge

                                                                   BURNS' APRON
The Apron worn by Robert Burns is proudly framed and hung on the North wall of Lodge Tarboton (Kilwinning) No. 135 and is visible to all on entering via the South doorway.  

                                                                                     
                                                                                
                                      THE MALLET USED BY BURNS DURING MEETINGS 
The 'Master's mallet' that was used by Robert Burns when he presided over the Lodge is still in use today.
                       Visiting Lodges also take great pleasure in using the mallet during meetings.

                                                                                    

 CANDLESTICKS - Used at the time of Burns, these candlesticks are still in use today at every meeting.
                                                                   

                                                             MASTER'S JEWEL FROM BURNS' PERIOD

This is the actual Master's Jewel worn by Robert Burns when he was Depute Master. Burns makes referrence to the, "highest badge" in his “Farewell” poem to the Brethren of the lodge.

                                                                     

                                              MINUTE BOOK ENTRY - BURNESS AS DEPUTE MASTER

                 Burns signed the minute book on many occasions. The one shown here dates to July 20, 1785.
                                           It should be noted that Burns used to use the name 'Burness.'

                                       


                        Burns signs the book, "Robt Burness, D.M" when he was Depute Master

                         MINUTE BOOK ENTRY - BURNESS CHANGES HIS NAME TO BURNS

                                               


                                     Robert Burns' new signature - without the "es" in Burness
                                                                               
 Burns was never Master of a Lodge but that requires some explanation.  In the 18th century it was common for a local dignitary to be made the Master of a Lodge and frequently he was a mere figurehead who may or may not have attended the Lodge.  There are instances where the local laird was elected Master
 even although he was not a Freemason!  This was obviously done in the hope that he was be interested enough to seek initiation but it did not always happen!  Even when such men did become Freemasons their other activities and duties often prevented them from attending the Lodge on a regular basis.  This was what a Depute (Scots Deputy) Master for was for - he performed all the functions of the Master even although he did not (as with Burns) hold the title of Master.  Burns was, therefore, Master of his Lodge (now Lodge St James (Kilwinning) Tarbolton, No.135) in every way except name.
 
                                                                                
This sepia portrait shows Brother Robert Burns in the Regalia of Depute Master (Scots Deputy) as indicated by the Collar Jewel.  The portrait was taken from the famous oil painting: 'Inauguration of Robert Burns as Poet Laureate of Lodge Canongate Kilwinning, No.2, 1st March 1787' which hangs in the Grand Lodge of Scotland Museum and Library, Freemasons' Hall, Edinburgh.

                                                                 ADDRESS TO THE HAGGIS

                                    
Cutting the Haggis

                                                                "His knife see rustic Labour dight,
                                                                    An cut you up wi ready slight,
                                                            Trenching your gushing entrails bright,
                                                                               Like onie ditch;
                                                                And then, O what a glorious sight,
                                                                            Warm-reekin, rich!"


                                                                                 ‘A Man’s a Man for a’ That’
 

Sadly, few people are aware that Robert Burns was a Freemason and remained so all of his adult life, indeed he was Senior Warden of Lodge St Andrew, Dumfries, (dormant) when he died.
 
Even fewer people are aware of the Masonic content of his work.  One of his most famous: A Man's a Man for a' That, was sung at the official opening of the new Scottish Parliament and delivered superbly by folk singer Sheena Wellington from a balcony overlooking the debating chamber.
 
Freemasons, especially Scottish Freemasons, all over the world are intensely proud that a Masonic Anthem was chosen to mark this historic occasion.  Freemasons everywhere will readily identify the Masonic significance of the words of Brother Robert Burns:

                                
Robert Burns Poetry

                                                                                 A Man's a Man for a' That
                                                                                     By Brother Robert Burns

                                                                                   Is there for honest poverty
                                                                             That hings his head, an' a' that?
                                                                           The coward slave, we pass him by -
                                                                                We dare be poor for a' that!
                                                                                     For a' that, an' a' that,
                                                                                Our toils obscure, an' a' that,
                                                                           The rank is but the guinea's stamp,
                                                                              The man's the gowd for a' that.

                                                                             
Wear hoddin grey, an' a' that?

                                                                  Gie fools their silks, and knaves their wine -
                                                                             A man's a man for a' that.
                                                                                    For a that, an' a' that,
                                                                            Their tinsel show, an' a' that,
                                                                      The honest man, tho' e'er sae poor,
                                                                                Is king o' men for a' that.

                                                                          
Ye see yon birkie ca'd 'a lord',

                                                                       Wha struts, an' stares, an' a' that?
                                                                   Tho' hundreds worship at his word,
                                                                            He's but a cuif for a' that.
                                                                               For a' that, an' a' that,
                                                                         His ribband, star, an' a' that,
                                                                     The man o' independent mind,
                                                                       He looks an' laughs at a' that.

                                                                     
A prince can mak a belted knight,

                                                                         A marquis, duke, an' a' that!
                                                                But an honest man's aboon his might -
                                                                      Guid faith, he mauna fa' that!
                                                                               For a' that, an' a' that,
                                                                           Their dignities, an' a' that,
                                                              The pith o' sense an' pride o' worth
                                                                      Are higher rank than a' that.
                                                 
                                                            
Then let us pray that come it may

                                                                  (As come it will for a' that)
                                                          That Sense and Worth o'er a' the earth
                                                                 Shall bear the gree an' a' that!
                                                                        For a' that, an a' that,
                                                                  It's coming yet for a' that,
                                                                That man to man the world o'er
                                                                    Shall brithers be for a' that.                

                                         
                                               
                                    

                   Lodge St. Ebbe No. 70 where Brother Rober Burns was made a ROYAL ARCH MASON

                                                                        on 19th May, 1787

                The Door of the St.Ebbe No.70 Royal Arch Chapter in the fishing port of Weymouth

                               MARK  PENNY/TOKEN - Lodge Tarbolton (Kilwinning) St. James No.135

                                                            The Mother Lodge of Brother Robert Burns